One of the most iconic comic covers of all time.
Who knew that a two-issue story arc that ran in The Uncanny X-Men #141-142 would be such a profound moment in the series. Before we talk about the movie that comes out on Friday, let’s talk about the story that started it all.
“Days Of Future Past” is fairly straightforward. In the year 2013 (doesn’t that seem like yesterday?), it completely sucks for man and mutant alike. The robotic Sentinels that were deployed to stop mutants (as a result of the assassination of super mutant-hater Robert Kelly) have taken it one step further, turning their robotic eyes to super powered humans alike.
Things are getting rough and it seems like humanity is approaching a nuclear fallout. What’s left of the X-Men have a plan to go back in time to prevent this future, by finding a way for the Kitty Pryde of 2013 to communicate with the younger version of her in 1980 to prevent Kelly’s assassination at the hands of Mystique’s latest group of the Brotherhood of Evil Mutants.
The fall out of this story leaves a huge impact on the X-books for years to come. It introduces Rachel Summers (Cyclops and Jean Grey’s daughter from the future), as an extremely powerful telepath who was responsible for connecting the Kitty’s of the future and path. She later becomes a very important character in her own right.
It also introduces a plot point that sticks through future X-Men stories, as they are now aware of there being a “worst case scenario” that someday there will be a Mutant Registration Act that leads to the attempt at exterminating the mutant population of the world.
And this is purely conjecture at my point, but it really establishes Kitty Pryde as being one of the top level characters in the X-Pantheon. Before, she was just kind of a sidekick or follower of the rest of the team. But from this point forward she really came into her own and became a focal character.
At the very least, it gives us that awesome John Byrne cover of Uncanny X-Men #141 which has been parodied and influenced thousands of other comic book covers over the years. Maybe not tou
I might as well join the bandwagon and put in my two cents about the new Ben Affleck/Batman suit; everyone else seems to be.
I have to say that I like it.
It reminds me a lot of the way that Jim Lee or Frank Miller would draw the character; it looks right out of the duo’s All Star Batman from a few years back. The suit looks right to me, much more than the plate armor that the character was sporting in the Christopher Nolan trilogy.
I think even Butters would agree; this is going to be awesome.
I think I’m the only person in the world who finds Geoff Johns’ writing to be very hit or miss. I know I’m not the only person in the world who thinks that Aquaman can be pretty lame as a character. That said, when I picked up Aquaman Volume 1: The Trench I had really low expectations. What I wound up reading was a really fun story pitting Aquaman against an army of aquatic subterranean creatures.
The main story featured in this collection is from Aquaman #1-4, with the cannibalistic deep-sea dwellers called the Trench invading the surface world. It’s up to Aquaman and his wife Mera to stop this invasion. Think of Night Of The Living Dead meets The Abyss, except with a lot more humor worked in. Eventually it’s revealed that the reason that the Trench are invading the surface world is that they are facing extinction and trying to stop it, but at the expense of the surface world. Eventually Aquaman saves mankind (and probably the rest of the residents of the ocean as well) by trapping the Trench. And along the way he rescues a Golden Retriever who winds up being named Aquadog.
The other two stories in this collection feature Aquaman stranded in a desert and a story that tells more about Mera’s origin as an Atlantean assassin. These are perfectly acceptable, but the main story line is what makes the collection. It’s certainly sold me on the series; I have the next two volumes waiting for me at the library.
Here’s a better late then never review of Captain America: The Winter Soldier. I really liked. That, and this movie owes a lot of credit to Ed Brubaker, who wrote the original Winter Soldier storyline that serves as the backbone of this film.
There’s a bit of a mystery element to the movie, with the evil organization Hydra (which was last seen in Captain America) having slowly integrated itself into the SHIELD organization since it was assumed to have been disbanded after World War II. Now using SHIELD’s resources, Hydra has completely rebuilt itself and looks to take over the world.
It’s a good thing that Cap, Black Widow, Nick Fury (who fakes his own death) and a newly-found ally in the Falcon are here to stop Hydra’s latest attempt at taking over the world. The only thing is that SHIELD/Hydra send the Winter Soldier (Bucky from the first movie, who has been turned into a cold-blooded cyborg mercenary) to stop them. And clearly the good guys win, since it is a super hero movie.
Winter Soldier is filled with a lot of suspense and action, pretty much everything you would want and expect in a Captain America movie. Some of the back story about how Hydra has worked in the shadows felt like a stretch, but it generally didn’t hurt the movie that much. Plus, it brought us the Arnim Zola as an old computer terminal center scenes.
Chris Evans is a great Captain America, especially the scenes where he is shown as being a man out of time who has to carry a notebook to write down all the things he has missed out on. I can’t wait to see the following Cap films that this movie sets up: the next Avengers film and the following Captain america movie. This movie gets a big thumbs up and I might have enjoyed it more than Thor: Dark World.
Bleeding Cool (via Roy Thomas) reported that the 1950s/1960s Jack Kirby-inker Dick Ayers and longtime Sgt. Fury and His Howling Commandos penciller passed away on May 4, shortly before what would have been his ninetieth birthday. I was fortunate enough to get the above sketch from him at the 2006 Baltimore Comic Book Show, which was an adventure all in it self.
I was in line waiting to get a sketch, and I really wanted to get one of Nick Fury. But when I was next in line, I told Dick that I wanted a sketch of Hawkeye. I felt just like Ralphie in A Christmas Story, ruining my moment with Santa Claus.
There was a brief pause.
Dick looked up at me from the table and said the following: “You do know that’s a difficult costume to draw.”
There was another awkward pause. Now I’m feeling really embarrassed.
But before I could say something, Dick said “How bout I draw Doctor Doom instead?” I nodded my head just like a confused little kid would. I then spent the next twenty to thirty minutes talking with him about what it was like working for Marvel in his day and he answered every question, even telling me a few interesting stories about Jack Kirby!
And that’s how I wound up having an awkward exchange with a comics legend (that turned itself around) and how he drew Doctor Doom for me. Thanks for the memories, Dick!
Just like last time, the Marvel Unlimited subscription has put me on a binge read Charlie Huston’s run on Moon Knight was bloody fun. Over the last year or so, I’ve really started paying attention to the character, thanks to cheap back issue sets and paperbacks.
Moon Knight really feels like it flew under the radar at Marvel. Huston is best known for being a crime novelist, and at the time Moon Knight was a largely forgotten character in the Marvel pantheon. The 2006-2007 series was a lot of dark fun, so why should you read it?
- Gore factor. Now usually I don’t go for that sort of thing. But somehow Huston’s script and the way that David Finch illustrated it is just so gross, creepy and welcoming at the same time. I know I’ve said it before, but Finch really reminds me of Todd McFarlane with how he draws. And his art is so on in this series.
- Khonshu. If you remember, the premise of Moon Knight is that he’s an avatar of the Egyptian god Khonshu and that by worshiping this god (or just generally poor mental health) he has been slowly driving him nuts. Khonshu has taken the form of the late super villain the Bushman, whom Moon Knight literally defaced and killed. This vision appears, tormenting the hero from the side.
- Call backs. I don’t know if Huston was a fan of the original Moon Knight series but he certainly references a lot of the older comics, even down to the supporting characters. His former pilot Frenchie (who reveals that he has put up with Moon Knight’s crap for so long only because he had a crush on the masked vigilante), love interest Marlene and his supporting cast are all there. He even finds himself feuding with the current incarnation of the villainous the Committee and is faced to fight his former sidekick Midnight (now a villain) to the death.
- The second six issues. The main part of this arc is Moon Knight dealing with Midnight, but the subplot involves both Iron Man and Captain America trying to recruit him to their respective sides during the Civil War period. Moon Knight has his own views which happen to not go along with each side and he finds a way to express them clearly.
- It feels like an indie super hero book. This doesn’t feel like anything Marvel would put out. It’s just really different.
So there you have it. Read Moon Knight immediately. It’s dark, brooding and gory, but still a light and fun (if that’s possible with a hero that’s cutting up people) read. It certainly makes me want to see more super hero stuff written by Huston.
You know what I like doing? I like hording runs of complete (or near complete) series and then binge read them, kind of like how someone will burn through a whole season of something on Netflix. With Marvel Unlimited, I was able to binge read the entire Immortal Iron Fist series.
I must admit that I don’t necessarily know everything about the character. But in this short series, which ran roughly two and a half years, I was able to jump right in at full speed.
There is a lot that happens in this series, ranging from Daniel Rand having to literally fight off corporate raiders that are part Hydra, to fighting with the other immortal weapons in a tournament of celestial proportions, to finally even going to hell. All the while, there are side bars chronicling the life and death of Orson Randall (the previous Iron Fist), Daniel’s father Wendell taking the Rand family on an expedition to find K’un-L’un, and single issue stories about the various other people to wield the Iron Fist. We even explore Daniel’s personal life, whether it be how he runs his business or his relationship with Misty Knight.
The resulting series works so well, whether it be written by the series’ original team of Ed Brubaker and Matt Fraction, to the later issues by Duane Swierczynski. It is a real testament to his abilities as a writer, as he keeps the tone and pace set by Brubaker and Fraction. On the art side, the series went back and forth from David Aja and Travel Foreman seamlessly. The resulting series was just great.
I don’t know half of what’s happened leading up to this but it’s got a cover that makes me happy. As a long-time fan of the JLI era, getting to see Guy Gardner and Ice getting into some mischief is enough for me.
Red Lanterns #27 starts on some planet that Guy and the rest of the Red Lanterns liberated. He’s also had a bit of a change in appearance from the cover, as he now sports a mustache that Burt Reynolds would be jealous of.
The main story features Guy trying to win his ex-girlfriend Ice back, who lives in an icy cabin in the woods of Norway. It’s just like the movie Frozen, except a million times cooler. They broke up because he’s an angry, miserable son-of-a-gun but he’s much better now.
The subplot has two teams of the Red Lanterns out on patrol, two looking for the missing ring of the late-RL Ratchet, and the other two go sight-seeing around the planet Earth. Unfortunately they make fun of Guy’s hometown Baltimore, which also happens to be one of my favorite places.
Perhaps I’ll follow this series more…
Valentine’s Day is just around the corner and I’m rereading one of my Valentine’s Day presents from last year: Essential Dardevil. What makes this so much fun for me is the artwork from Bill Everett. Over the years he has become one of my favorite pencilers and the black and white format really makes his art pop so much.
On the story side, Stan Lee presents a typical origin from this time. We start off with a brief flashback before going back and presenting Daredevil’s history. His origin is very straight forward; Matt Murdock was raised by his boxer single dad. Eventually Matt winds up losing his vision albeit in a noble fashion, and his dad’s life is ended by an evil boxing promoter–appropriately named the Fixer. Matt winds up training to confront the Fixer and winds up becoming the super hero that we know and love called Daredevil.
The funny part of this story is the fact that there’s a blind guy sewing together the costume, developing a spring loaded grappling hook weapon and becoming a master gymnast/fighter. Matt became much more talented once he lost his vision. The other is that Matt’s best friend, co-lawyer Foggy Nelson and their secretary Karen Page both notice that he’s been disappearing frequently. But they never confronted him once during the issue.
Daredevil #1 really wasn’t the best written first appearance of a character especially when you compare it to some of the other stuff Marvel was putting out at the time. But what makes this great, again, is Everett’s artwork. It’s really strong.
Superman just became awesome again.
I will admit that I’ve grown away from Superman as a character. At one point he was definitely one of my favorites; I loved the whole Dan Jurgens/1990s era of the character when they were putting out four tightly knit Superbooks a month. But over the years, I wound up losing interest, especially all of the undoing of the John Byrne post-Crisis aspects and replacing them with a more Geoff Johns/Richard Donner theme.
The Superman in the New 52 books has peaked my interest on and off, mostly due to Jurgens’ involvement on the title. Fast forward to the recent announcement that there was going to be a new Superman series with Geoff Johns at the helm and I wasn’t that excited. But with them announcing that John Romita Jr. would be drawing Supes with Klaus Janson on the inking side, suddenly this is something I want to read.
This is the first DC work that JRjr has done and having it be on one of their–if not the–highest profile characters certainly is exciting. Color me optimistic.
Thanks to my friendly local public library, I’ve been on a bit of a New 52 kick. Scott Snyder’s Batman: Death Of The Family is a suspenseful collection that pits the Dark Knight against his most sadistic foe–the Joker.
The story is simple; the Joker has returned to Gotham City and is recreating some of his
greatest most horrific encounters with Batman. Not only that, but he’s attempting to kill of Batman’s allies. Batman kind of expects that he would go after Batgirl, Red Hood and even Red Robin. But things get taken to another level when the Joker sets his sights on Bruce Wayne’s long-suffering butler Alfred. It’s up to Batman to stop the Joker and save his extended Batfamily.
The conclusion of the story isn’t the most satisfying. One of the plot points is that the Joker has somehow figured out the connection between Batman and Bruce Wayne, to the extent that he knew that a way to get to Batman would be by attacking Alfred and how to access the Batcave (which is presumably still connected to Wayne Manor). This was explained in a flashback at the story with Batman as Bruce Wayne confronting the Joker at the Arkham Asylum over a Joker card that was mysteriously found in the Batcave. That in turn gives away everyone else’s identity. But at the end of the story, it was pretty much stated that the Joker didn’t know any of this information. That part I’m still not clear on.
The other interesting reveal was that Batman does indeed know who the Joker was before be became a sociopath. They didn’t reveal it but I would assume that it would mean that he is connected to some of the more prominent characters in the Bat universe.
Death Of The Family did get my attention and I did enjoy it. I really wish that the big reveals at the end were more concrete and not just spring boards for future stories. If you have any thoughts, please comment because I’m still trying to put it all together.
I know it’s been a while; I’ve been spending more time reading comics than blogging about them. Well, that and being increasingly busy in my professional life. So here’s a quick one so I can get back on track.
Teen Titans #0 gives us the backstory of the New 52-ized Tim Drake. Previously Tim was the son of two Bruce Wayne-level wealthy parents, and over the years he had several encounters with both Bruce and Dick Grayson. He eventually figures out their secret identities, and after the death of his mother and crippling of his father Tim becomes the third Robin to avenge his family’s losses.
Writer Scott Lobdell takes the origin in a different direction. He’s a superstar high school gymnast and general smartypants who tries to figure out–unsuccessfully–who the Batman is. To get the Dark Knight’s attention, he hacks the Penguin’s bank account.
That was a surefire way to get everyone attention, with Batman having to save them. As a result, his parents have been put into the witness protection program and have been relocated somewhere in the country and he now has to take the identity of Tim Drake, an adopted ward of Bruce Wayne. At that point Bruce finally reveals that he’s Batman and Tim dons the roll of Red Robin.
The one theme that is hammered into this issue was the relationship between Tim and his parents. They were immensely proud of him and everything that he had been able to accomplish. However, he wound up giving that all away in his quest to unmask Batman. Not only is he isn’t living with them and with extremely limited contact, but they will never know about his true greatest accomplishment: being a super hero.
It’s interesting all around and I’m sure Lobdell is planning on revisiting his parents at some point.
Marvel/ABC’s Agents of S.H.I.E.L.D. started last week and brings the Marvel Cinematic Universe to television. So how was it–and better yet, how is Agent Coulson still alive?
The series follows up after the events of the Avengers and they never explain how Coulson (still played by Clark Gregg) survived his apparent death. Three words: Life. Model. Decoy. Anywho, he has been reassigned to a super top-secret division of S.H.I.E.L.D. that even the Avengers have no idea about and he is investigating a threat called Rising Tide with a new group of agents. The rest of the first episode is spent with this new team trying to gel and stop a dangerous man who has been equipped with Extremis, as we last saw in Iron Man 3 this summer.
The show was pretty by the numbers and what you would expect from the debut of a new action/drama. Ultimately the agents put aside their differences and stop the villain, and Coulson gets to drive home in a hovercraft convertible sports car just like Jim Steranko would have drawn. It is a decent show that will probably get better, but to me it didn’t have the immediate “WOW~!” factor that Arrow did in its debut.
But what it does have going for it is how awesome Gregg is as an actor. He is awesome as the sarcastic normal person in this fantastic world. I also liked Cobie Smulder’s guest appearance as S.H.I.E.L.D. commander Maria Hill as well. With her primary gig on How I Met Your Mother coming to an end, it would be a safe bet to assume that we will see more of Hill in the next season.
Agents of S.H.I.E.L.D. is fine and I’m sure that it will get better. The challenge for them is to find that balance between the movies and finding their own identity as a series.
Sabretooth has always been a favorite character of mine. I know it’s all the rage to say that the Joker is the most evil villain in comic books but it has to be the big burly guy named Victor Creed.
Thanks to having a mutation that has gifted him a healing factor (and other predatory animal abilities just like his longtime nemesis Wolverine), Sabretooth has been around forever. Unlike Wolverine, he has no qualms about using deadly force at any times.
This lack of humanity, deadly abilities and no moral compass whatsoever makes him extremely evil. Plus his physical augmentation from Weapon X and several other evil organizations has only made him more unstoppable.
I just love how he never has any redeemable qualities. The few times he has seemed like a halfway decent person were when he was held captive by the X-Men and befriended Boom Boom or was a member of X-Factor, but those were to further his own motives. I even loved his portrayal in Avengers: 1959 where Howard Chaykin took this further by showing how bloodthirsty he will be when there is money involved.
So yes, Sabretooth is a really evil spirited immoral killing machine. I think that’s what also makes the Age of Apocalypse version (the one that was heavily featured in Exiles) such a great contrasting character. That Sabretooth is a role model to the other mutants, even taking in Wild Child and Blink as his pseudo children. I just love the direction that they took him in and it’s great.
Next up is another character that I’ve always enjoyed. He is as sharp as a tack, well the signature double-bladed swords that he carries. I’m talking about the X-Forcer turned X-Factorer Shatterstar.
His debut was fairly straight forward. Shatterstar is a test-tube grown mutant from the Mojoworld of the future who traveled back in time to help the X-Men to help them defeat the alien Mojo who rules the dimension he calls home. His introduction was just like so many of the characters that first appeared in the early 1990s; he shows up, joins a group and starts kicking ass. For the most part, everyone did a good job writing him. He was a displaced warrior who would be much more comfortable fighting people. Needless to say, he jived perfectly with being in X-Force under Cable’s tutelage but not so much when it was the other young mutants running the show.
Eventually they gave him more of a character, with him at one point having acquired the memories of a deceased teenager. But the biggest character growth was under Jeph Loeb’s direction, with an allusion to Shatterstar having a secret relationship with his teammate Rictor. A decade later, Shatterstar and Rictor became public with their relationship and creating Marvel’s premier gay couple. It’s been handled very well, and Rictor and Shatterstar have an extra complexity going on. This is his first romantic relationship of any kind and he doesn’t want the exclusivity that Rictor is seeking. And to make things more confusing, Shatterstar finds himself attracted to both sexes. I like the direction that they’ve taken, making him a coming of age character who is pushing thirty.
Oh and one more really cool thing about Shatterstar…HE’S THE SON OF DAZZLER AND LONGSHOT!!!! Way back in 1992’s X-Men Annual #1, there’s a one-off comment between Dazzler and Longshot talking about naming a child Shatterstar and kicking off two decades worth of speculation. As part of Peter David’s conclusion for X-Factor, this is revisited and is FINALLY confirmed.
And one more thing…Toy Biz made some really cool Shatterstar figures back in the 1990s. I remember vividly picking up the figure on your right when I thought I was way too old to be stopping into a Kay Bee Toys and buying anything. I was a freshman in high school and would have been quite embarrassed if anyone saw me. But then again, I wasn’t invited to any of the cool kids’ parties any way.
So there I was proudly plopping down five bucks to get an awesome action figure which I still have to this day!
Colossus might be one of the strongest in the X-Men pantheon but he isn’t necessarily the most complex Don’t let his shiny silver exterior fool you: this Russian mutant has a heart of gold.
At his heart, Peter Rasputin is a fairly simple man. He is incredibly loyal to his family, willing to forgive his brother Mikhail for forcefully trying to take over the Morlocks or even going to painstaking lengths he went to try to find a cure for the Legacy Virus that was killing his sister Ilyanna. He extends this to his friends, whether it be standing up for Nightcrawler and Wolverine in a bar fight or even to his on-again, off-again girlfriend Kitty Pryde.
Sometimes his selflessness is a detriment, as he sacrificed himself to find a cure to the Legacy Virus which lead to his demise. But this is comics so he was eventually reincarnated. He sacrificed himself to become the Juggernaut in an attempt to save San Francisco.
Colossus is a great supporting character because he is so generous. He is extremely likable and just a nice guy. You can just tell that he would much rather be home in Russia farming and being with his family instead of being a super hero. That makes him cool in my book.
Gideon was a really cool concept for an X-Men villain that always had a lot of potential. Unfortunately, he had a really short life span before he was killed by the mutant vampire Selene. that said, he’s still cool in my book.
He was born in the fifteenth century and served as a crew member for Christopher Columbus’ New World voyage. After being left for dead, Gideon discovered that he was nearly immortal. Not only is he a mutant with the power to mimic the skills and abilities of the people around him, but he also belongs to the subspecies of Externals which have the gift of immortality. Gideon isn’t the type of villain in the Doctor Doom style, that wants world domination, nor is he like the Joker and wants to be an agent of chaos. Instead, Gideon spent his time lurking in the background manipulating the people around him for his own gain and amassed a fortune.
Gideon made himself publicly known around the same time as the original X-Force debuted, as he was interested in mentoring Sunspot whom was believed to be another External. In order to get closer to the younger mutant, Gideon had his father brutally murdered. It turned out that Sunspot wasn’t an External, and it was really Cannonball instead. Eventually the truth was revealed and this put him at odds with X-Force for the rest of his life. Although he never became a full on villain, he did have an odd respect of Sunspot, Cannonball and the rest of X-Force. Towards the end of his life when he feared Selene was going to murder him he reached out to him for assistance. Unfortunately, they got the message too late.
Gideon was an interesting character and the possibilities of what the could do were endless. It’s a shame he hasn’t been brought back to the land of the living.
For my next choice I pick two characters who are completely different from each other but together became one of the best super hero tandems ever. I’m talking about Cypher and Warlock from the New Mutants.
At first glance, they aren’t necessarily the most exciting characters. Cypher was a nerdy friend of Kitty Pryde’s and it was eventually revealed that he had a fairly non-threatening mutant power: the ability to comprehend, speak and interpret any form of communication. Warlock is a techno-organic mutant from a far off alien home world. Needless to say, the two wound up as students at the Charles Xavier’s School for Gifted Youngsters and eventually as members of the New Mutants team.
The two became inseparable and soon were best friends. Thanks to Cypher sharing his own life’s energy to save Warlock, they even share memories. Needles to say, Warlock had an extremely difficult time dealing with Cypher’s death. The alien robot wound up being killed by Cameron Hodge during the X-Tinction Agenda storyline.
Like they say, death in comics is only a relative condition and a hybrid Warlock/Dough Ramsey (Cypher’s civilian identity) showed up called Douglock. This reincarnated character looked like a techno-organic recreation of Cypher, but had both character’s memories. Eventually it was revealed that Douglock was really just Warlock having rebooted himself from Doug’s memories. Once Warlock was aware of that, he deactivated the copy of his fallen friend’s memories. Eventually Cypher was resurrected and Warlock (along with the rest of the now adult New Mutants) was able to break him from the evil Selene’s control.
Warlock and Cypher are just two great characters because of their friendship. The fact that we’ve been reading it about it for almost thirty years only adds to its awesomeness.
I’m not reading too much current DC stuff this days, but I did pick up Justice League of America #7.1. That said, writer Matt Kindt should get all the credit in the world for doing something extremely difficult: making Deadshot awesome.
The issue lays out the New 52 version of Deadshot’s origin that kind of models itself after the Batman model. When his super frugal parents were gunned downed by a wasteful and sloppy pair of gang members, he snapped.
Deadshot spent the rest of his life training to avenge their deaths in a cost-effective way…by being completely accurate. And this sense of frugality and perfectionism has made him one of the–if not the–best hitmen available. He has a very odd moral compass and that sets him apart from the more wantonly violent assassins in comics (Bullseye I’m looking at you!).
The story ends with him explaining his relationship with Amanda Waller and her government sponsored Suicide Squad, and how he’ll do anything–good or bad–as long as the price is right. Kindt did a great job taking an older gimmick comic book character and completely modernizing him. Check this out…you won’t be disappointed.
Caliban is one of those tragic characters who started out with a really sad depressing origin and constantly made poor life decisions. What makes him such a compelling character is that you constantly take pity on him.
He originally was introduced as a scrawny, sickly member of the Morlocks–a group of disfigured mutants that crested their own civilization under New York City’s subway system. Instead of being taken into their community with welcome arms, their leader Callisto not only used him in order to take advantage of his mutant tracking abilities but exploited his desire to have a friendship/relationship with X-Man Kitty Pryde.
Caliban eventually found a home with the original incarnation of X-Factor, but even that was short-lived. After the Morlocks were slaughtered by the mercenary Marauders, Caliban sought revenge against them but could not succeed due to his weak nature. To increase his physical capabilities, he wound up making a Faustian deal with Apocalypse that did make him more deadly.
Unfortunately it also left him prone to being under Apocalypse’s control. For the rest of his life he wound up being a member of X-Force until he met his demise twice. This is comics after all.