We’re back after a break do an extreme case of being too busy. We have a battle of Cable vs.
Satellite Deathstroke the Terminator! What would happen if these two bad-ass silver foxes did battle? These two might be a little more similar than you may think.
The first thing that comes to mind with Deathstroke and Cable is how similar the two of them are. First, their appearances come to mind. Both are white-haired. They both also happen to be missing an eye, but both manage to overcome that by being amazing supers. They’re master tacticians And I’m sure that there is no weapon they haven’t been trained to operate, and probably have faced every kind of hand-to-hand combat imaginable.
On the weaponry end of things, I would have to give Cable being that he is from the future. He has access to blaster weaponry that Deathstroke can’t even imagine. That said, I would have to say that Deathstroke is a much more disciplined fighter, being that he is the best assassin/black ops type in the DC universe.
So what it comes down to is their powers. Cable does have some telepathic and telekinetic abilities, but for the most part he uses them to keep the techno-organic virus that plagues his body in check. Deathstroke has enhanced reflexes and physical strength. But it’s not his brawn that tips the scales in his favor.
Deathstroke is able to operate using 90% of his brain power, allowing him to think steps ahead of everyone around him. And at the end of the day, that’s all he needs to terminate Cable. WINNER: Deathstroke
Rob Liefeld’s run on Deathstroke concludes in this issue, with the end of the Deathstroke/Lobo battle. Bare with me, as I’m still a little sketchy on how this issue ended.
It turns out the that Lobo’s release was orchestrated by Maxim (who hired Deathstroke at the start of this story) were the ones who released Lobo. The goal was to lead him and the Omegas (the alien children of Lobo’s victims) to some sort of spaceship (so Maxim could loot its weapons supply), and Deathstroke’s purpose was to take out Lobo and clean up their mess.
So how does Deathstroke off Lobo? He impaled the Czarnian with the poor alien’s own super motorcycle, flies the two of them into the upper atmosphere, and blows Lobo up. Well that was short-lived. Maybe it’s just because I’m a big fan of the character, but it seems like a cop-out to have killed him off that quickly and easily.
Deathstroke ends the story by telling off Maxim for putting the Omegas in danger for his own personal gain. Before he leaves he stops to flirt with Zealot (the Omega’s bodyguard), awkwardly kissing her and leaves. And that’s it.
Now I know I’m biased; I do like Liefeld’s stuff a lot. But this issue, well, it was pretty confusing plot wise. And that’s a shame, because I think he really over-thought it. The story could have been a lot simpler. The other thing I noticed was that the book was light on backgrounds. There were a noticeable amount of panels without them. But I guess that was a sacrifice that was made to make sure the book came out on time.
The best part of this story was the brief epilogue, where Sheba (Lobo’s girlfriend that was assumed to be deceased) is actually alive and well, albeit in suspended animation. I know the concept is borrowed from Lobo’s Back, but there is definitely something cool about imagining a female Lobo terrorizing the New 52.
I completely forgot about this. Deathstroke #10 is the second issue of writer/artist Rob Lifeld’s DC comics 1990s tribute series.
Lobo is loose and running wild; the opening scene of him at a diner would make any longtime Lobo fan smile. It’s silly; something that is needed for a character like this.
Deathstroke is investigating the prison that Lobo escaped from along with Zealot and the Omegas (who I think are the New 52-ized version of the Omega Men). After tussling with one of the aliens who had been serving as a warden at that jail, Deathstroke finds out that Lobo has been unleashed to kill off everyone on the planet Earth.
The final scene has Lobo off at some top secret alien crash site in Colorado where he uncloaks a massive spacecraft. One can only assume that its filled with all kinds of weaponry and such. Lobo also mutters something about a Sheba, which I can only assume is a love interest for the frag master.
I guess the next issue is going to be some sort of all action slugfest between Lobo and Deathstroke. I can’t think of anyone better suited to draw this kind of kinetic batle than Liefeld.
CW’s new Green Arrow is a go! CW’s new prime time drama Arrow is about rich guy Oliver Queen turned vigilante after being stuck on a deserted island and learning to fend for himself. This preview is fairly grim and tone, but did you notice the cameo appearance towards the end?
There was a shot of the mask of Deathstroke the Terminator with an arrow through it. I guess that means we will be seeing him in Arrow at some point this season. The show airs on Wednesdays starting this fall.
Rob Liefeld. Deathstroke the Terminator. Lobo. This comic has everything that was great about the 1990s. With Hawk and Dove cancelled, Rob Liefeld moves over to Deathstroke starting with this issue.
I haven’t been following this title previously, and issue #9 establishes the Deathstroke-verse pretty quickly. Slade is at the grave of his deceased wife reminiscing, even to the point he is carrying a picture of her. I don’t think I’ve ever seen someone carry a picture of a loved one when going to the cemetery, but I digress. Anyway, this happy moment is spoiled.
Slade winds up dispatching some commando types and some teen meta-humans called the Omegas (I wonder if this is an allusion to the Omega Men), as apparently some sort of test by a new character named Maxim. His goal is simple: to hire Deathstroke to kill Lobo, who has escaped imprisonment. Along with the Omegas and Zealot from WildCATs fame, our mercenary hero is off to collect his bounty.
This story kind of reminds me when my younger brother and I would play super heroes as kids. We would mix all the toys together, and before you know it, Spider-Man and Batman would be riding a Wheeled Warrior vehicle against Krang from the Teenage Mutant Ninja Turtles.
Anyway, this was light enough to warrant waiting for the next issue. Typical super hero comics stuff. Art wise, the one thing that I noticed was that Liefeld’s backgrounds were kind of sparse. The colorists seemed to have improvised a lot to fill the pages.