Sub-Mariner #67

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This might be one of the most iconic Sub-Mariner covers of all time. Issue #67 reveals a brand new costume for Namor–the bad ass version designed by John Romita! In this issue, the Sub-Mariner is back and angrier than usual!

Namor is fighting the evil killer whale Orka and the monstrous She-Beast (who has an incredibly boring name) are battling on the floor of the ocean. The Sub-Mariner’s are attempting to destroy Atlantis yet again. In the ensuing battle, Namor winds up getting thrown into the wreckage of an old US Navy submarine. The impact releases a toxic gas into the water that nearly kills Namor.

The underwater Inhuman Triton finds Namor’s sickly body and brings it to the Fantastic Four for help. It turns out that the chemical has somehow changed Namor’s biological makeup, no longer allowing him to spend extended time outside of water. Luckily for him, Reed Richards is able to put together some moisture delivering clothing to make him a new outfit (that reminds me of something that Gene Simmons would have worn during the seventies) to allow him a little more environmental flexibility.

Then Namor goes, well, Namor. Enraged that he has had suffered the indignity of not allowing to walk on land and the fact that this chemical has caused a plague among the Atlanteans, it’s time for a good ol’ fashioned Namor rampage. He trashes the Fantastic Four’s headquarters and then declares war on the surface world.

The book is pure Namor fun; he gets mad and destroys everything in his path, all the while completely being self-absorbed and unreasonable. And as a Namor collector, I like having the first appearance of this iconic look.

Super-Villain Team-Up #2

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Poor Namor.

I love the whole concept of Super-Villain Team-Up so much. The idea of Dr. Doom and Sub-Mariner just teaming up and going on there own adventures just entertains me so much.

On one hand, you have the extremely self centered ruler of Atlantis. And his best friend (well, at least for this story’s purpose) is an egotistical mad scientist with an inferiority complex. It’s like the adventures of Cousins Larry and Balki, especially since Dr. Doom and Balki are eastern Europeans.

The second issue of this series has Namor by his longtime villains Attuma, Tiger Shark and the worst named villain in the history of comic books–Dr. Dorcas. His name is just s ridiculous as it sounds.

It’s up to Dr. Doom to save his bestest friend in the world, using a remote controlled camera masquerading as a fish to find his location. And with some help from Namor’s longtime love interest Betty Dean Prentis, the prince is rescued. During the ensuing facas, poor Betty gets hit fatally by a blast from Dorcas’ laser cannon. And this sets up the next issue, where we assume the Sub-Mariner gets a little savage.

The book is just what you would expect of a Marvel issue from the mid 1970s. It’s a fun story, sublimely over-the-top in all aspects. But what makes the book is the artwork; with a cover by Gil Kane and interior art by Sal Buscema, it’s just full of awesomeness.

So does Betty survive? Or at the very least, does Namor avenge her?

Who knows.

I don’t have Super-Villain Team-Up #3, but I would be happy to review it if one of you doesn’t mind passing it along.

Moon Knight: Fist of Knoshu #1-4

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Remember how not too long ago I was professing my love of those early 1980s Moon Knight comics? I read that series’ 1985 follow-up mini-series Moon Knight: Fist of Knoshu and didn’t really enjoy it.

The whole purpose of this was to set up a new status quo and to reboot the character to a certain extent. The character’s origin is still the same; they’ve just added more ties to the Egyptian god Knoshu.

Knoshu’s rival, the deity known as Anubis has selected a new avatar to walk the earth. To combat this, Knoshu’s worshipers have recruited Marc Spector into becoming Moon Knight once again. To help sweeten the deal, the cult arms him with some magical weapons and cast a spell on him gives him supernatural powers tied to the moon.

Moon Knight goes on to stop Anubis’ avatar, but at the cost of alienating his girlfriend Marlene and much of his inner circle by re-donning the costume. But hey, he got some sweet powers out of the deal!

I really liked the previous take on the character, with Moon Knight having a much stronger pulp influence. This more supernatural based version really didn’t do it for me. I mean, I still like the character but in general anything that goes too much into supernatural and even horror genres turns me off. I do have more of the previous series that I want to look at. That said, I’ll recommend this for completion only.

Moon Knight #2-5

moon-knight-2Let’s look at some of the early issues of the original Moon Knight series! Issues two through five are a lot of fun. So why should you give this a chance?

Writer Doug Moench really makes Moon Knight a complicated and interesting character, much more like a Don Draper then I ever expected. I was always under the assumption that the character was former mercenary Marc Spector having had some sort of near death experience that made him moonlight as the Egyptian themed hero.

That is a big part of the character, but there’s more to it. Spector is publicly living as the fictitious millionaire Steven Grant in order to use his ill begotten fortune as a soldier of war. But he also uses another alias, that of the taxi driver Jake Lockley as well. Basically you start to wonder which of these is the real personality of this character.

Spector’s complexities are only balanced by how great his supporting cast is, all of whom support him and assist his mission. He has a girlfriend, Marlene Alraune, who is almost as adept a combatant as he is.  There is also his longtime pilot/sidekick Frenchie. More privately in the Lockley persona, the old bum Crawler, a diner waitress named Gena and her two sons always go out of their way to help inform him of the latest street crime gossip.

The resulting stories have Moon Knight stopping various different criminals, including a psychopathic murderer, an antiquities thief and the criminal organization the Committee who armed Spector previously.

Covers and art in these issues was by Bill Sienkiewicz, who is such a great artist. I’ve always loved his more stylized work, but I never knew he used a more mainstream super hero comics style in his earlier projects.

Magik #1-4

magik-4The Magik mini-series has a simple purpose: it’s to flesh out what happened to poor Illyana Rasputin when she was pulled into the other dimension known as limbo.

In story-line, Illyana was missing for only seconds. But while in Limbo, she experienced the events of several years of her life. She was a small child at the beginning of the story but returned as a teenager. What had happened was the evil  sorcerer Belasco pulled her into his dimension in an attempt to make her his dark apprentice. Fortunately for Illyana, that dimension’s version of Storm (who is an elderly sorceress in this reality) and Kitty Pryde attempt to keep her safe from Belasco. The villain’s plan is to use her teleportation powers so he can leave limbo and conquer the Marvel Universe.

And as much as Storm and Kitty want to save Illyana from Belasco, it is up to the young girl to save herself. There is an extra element of difficulty, as if Belasco dies, his soul will wind up possessing Illyana’s body.

Magik is a lot of fun. The story is filled with swords and sorcery, and it makes it pretty different from a lot of the Marvel comics at the time. It’s kind of like the X-Men are hanging out in the He-Man or Thundercats universes. While this isn’t “required reading”, it’s worth reading.

It was written by Chris Claremont, who pretty much did most everything involving any X-Men related character during that time. The art is fine; it’s by John Buscema and Ron Frenz, but what makes it sticks out is all the detailing that inker Tom Palmer put into it. There are all kinds of Easter eggs hidden in the pages that don’t affect the plot, but add nice touches.

Jack Of Hearts #1-4

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The most important thing that Jack Of Hearts did of note to me in maybe the last fifteen years was his explosion that was a catalyst for the events of Avengers: Disassembled. It turns out there is much more to this character as I found out in Jack Of Hearts #1-4.

You feel really bad for Jack; the miniseries reveals that everything in his life is a complete lie. He may of wound up with his energy powers through an accident in his father’s lab, but it turns out that his mother was an alien from the planet Contraxia. She was only on the planet to steal his father’s research on alternate energy sources in order to save her home world.

Fast forward to the current day, and Jack is a super hero whose super powers have grown wildly out of control. It also turns out that his longtime friend/girlfriend Marcy is a Contraxian herself and convinces him to follow her to the planet.

Jack enjoys this, feeling like he finally fits in and is accepted. Things get awkward as they learn the true reason the Contraxians were so interested in tracking him, as they wanted to detonate him in an effort to reignite their dying sun. And you thought you had problems! Jack is able to figure out how to rekindle the sun without sacrificing his life and decides that he should spend the rest of his days away from any other living things, as they will only choose to use him against his will or he will eventually hurt them, as his powers keep increasing beyond his control.

On the whole, this miniseries was a lot of fun. It worked because it was a self-contained story with a character that I wasn’t all that familiar with. There is a definite beginning, middle and end, all of which I enjoyed. It was written by Bill Mantlo, and I’ve really been enjoying his work of late.

New Mutants Annual #7

new-mutants-annual-7Who misses Marvel’s summer annuals? I’ll give you a hint: this guy does. New Mutants Annual #7 bridges the gap of the team’s transition from being the New Mutants to X-Force. And it sports this cool Mike Mignola cover.

The main feature sets up a crossover with the New Warriors, and there is another serialized story about the evil mutants turned government operatives in Freedom Force.

But the best part of this is the last short story by writer Judy Bogdanove and artist Jon Bogdanove (I’m assuming they are married).

It features the young mutants Artie, Leech and Wiz from the X-Terminators going on an adventure of their own and unintentionally causing a ruckus as they fly around town in a flying saucer. It ends with them finding a new friend in a grandmotherly old woman. The whole scene is really touching with Leech mistaking her for his deceased mother. That said, the story is a lot of fun and really is the highlight of the annual. It reminds me of something out of Spielberg’s Amazing Stories television series.

Since it is an annual, there is also the obligatory pin up pages (by Rob Liefeld and Art Thibert) and a pretty cool organizational chart of the team which you can view here.

Howard The Duck #1

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This is one of the comics in my collection that I was so happy to add. Growing up in the 1980s, Howard the Duck was all over the place, but got relegated to second-tier status, mostly because of the less than amazing film that he starred in. But that didn’t stop me from having a fondness to the waterfowl.

Howard the Duck #1 isn’t the first appearance of the character, but his popularity lead to him getting his own series. Howard comes across odd, even for someone living in the Marvel Universe. The story told here pretty much sets up the direction the series would take.

Howard just goes around the country solving mysteries and having adventures. He meets nude model Beverly Switzler who becomes his friend/travel companion and spends the rest of the issue trying to save her from the evil wizard/accountant Pro-Rata. The diminutive duck does get some assistance from Spider-Man along the way.

It’s a fun issue and I really want to read more of the character. Steve Gerber writes this character so well; there’s a certain absurdity and seriousness to it that reminds me of Dave Sim’s Cerebus the Aardvark.

Transformers #1

transformers-1Isn’t it kind of crazy to think that the Transformers have been a part of our culture for just about thirty years now? Transformers #1 brings the world’s most famous robots into the realm of comic books.

This issue does exactly what you would expect it to do. It’s a quick adaptation of the Transformers back story, with the Cybertronian civil war between the heroic Autobots and the evil Decepticons spilling over to our planet, with them laying comatose under a volcano in Oregon since the dinosaur era. One day an eruption reawakens the robots (who have now adapted to their new surrounding), rekindling their ages old feud. It also introduces the comics version of the Witwicky family, the humans who wind up interacting the most with the Autobots.

It’s a great beginning to the run of the Marvel era of Transformers comics, and hard to believe that this almost wound up being just a four issue mini series. The book sold like hotcakes and went on to have an eighty issue run.

There’s a lot of talent on the creative side of this book, whether it be the awesome Bill Sienkiewicz cover to Bill Mantlo’s credit as a co-writer on this book. That is something that I was never aware of till this last re-reading.

The one very impressive thing about the creative team on this is that colorist Nel Yomtov did the colors on all eighty issues of the series, plus all the various specials and related mini series that were off shoots of this. That’s one heck of a streak right there!

New Mutants #87

New Mutants #87

New Mutants #87

New Mutants #87 introduces Cable to the Marvel Universe. It’s not every month a character who is going to have this big an impact on the series debuts every month.

Not only did Cable debut in this issue but his primary nemesis Stryfe does as well. Stryfe is part of a group of terrorist mutants called the Mutant Liberation Front. They’re attempting to rescue the incarcerated New Mutants Rusty and Skids. And by rescue, I mean wind up brainwashing them into joining their ranks.

As this is going on, Cable shows up in an attempt to stop Stryfe from abducting the duo. The book ends with the MLF escaping and Cable being locked up by the government, as he was blamed for the attack.

What this issue did was set up the last year of the series, as well as it’s relaunch/metamorphosis into X-Force. In the issue, it wasn’t very clear why Cable needed to protect Rusty, Skids or the rest of the New Mutants, but it was established that there was some reason he would not accept them joining Stryfe’s forces. There’s a lot of mystery about what is going on and it does get explained in later issues.

New Mutants #87 is also pretty cool in my book, as it’s a collaboration between writer Louise Simonson and artist Rob Liefeld, both of whom I am a pretty big fan of

Kid Colt #1

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Cowboy comics are one subgenre that has disappeared. Cowboys in general have fallen off the popular culture landscape since the late 1960s. The Kid Colt one-shot by Tom DeFalco and Rick Burchett is an adventure featuring Kid Colt, one of the premier cowboys from Marvel’s history.

The story is very straight forward; it’s a retelling of Kid Colt’s origin and early days through the narration of a man named Everett (I wonder if that was a conscious nod to longtime Marvel creator Bill Everett). The sheriffs are out to find the young cowboy, who has been erroneously charged with the murder of a farmer. Everett is helping Kid Colt clear his name, and along the way there is all the action that you would expect in a cowboy comic book.

This was a fine read; Burchett’s art worked well with the story. This is worth checking out, especially if you’ve never read a cowboy story before. Who knows; you might even like it!

Torch #1

 

torch-1This is another “tales from the quarter bin” comic. The Torch #1 came out in the fall of 2009, but what makes it odd that the series seems to have been published through a partnership between Marvel and Dynamite. The mini-series  is about the original Human Torch Jim Hammond.

Hammond–an android who can burst into flames–is one of the most underused of Marvel’s original “big three” characters. Captain America and Namor been fixtures of the Marvel Universe, but he seems to get the short end of the stick mostly due to Johnny Storm flying around with his name.

Any who, Hammond isn’t featured too much in the first issue. Toro–his didekick–has been resurrected and hates his life. He’s largely forgotten, his girlfriend moved on, and he’s finding it hard getting used to being alive after being a corpse since the end of World War II. Toro decides to avenge his death by killing his murderer, the villainous Mad Tinkerer. Conveniently as this is going on, Tinkerer is working for Norman Osbron to replicate the science that created both Toro and Jim Hammond. The issue ends with Toro captured and Hammond’s remains being exhumed.

This seems like it could be a fun series to me, especially knowing my love of second tier characters. The mini-series also has awesome covers from Alex Ross. The good thing is that this whole mini-series is featured on Marvel Unlimited which I subscribe to, so expect some more discussion about this in the near future.

 

FF #1-2

FF-1I know it’s really too late to announce something like this, but FF is really the best new series of 2012. It’s Matt Fraction’s take on a back-up Fantastic Four and it has amazing art by Mike Allred. Really, why aren’t you reading this?

The premise is pretty straight forward; in the recently relaunched Fantastic Four is going on a short-term journey into another dimension and they need someone to look after the Future Foundation (Marvel Universe’s brightest bunch of genius youngsters) and any other fantastic problems in the interim.

Each of the members is picked by a member of the real Fantastic Four, and most powerful scenes are the ones where Mister Fantastic is trying to recruit the recently returned to the living Scott “Ant-Man” Lang to be his substitute, hitting on the fact that Lang is really unsure if he is up to the task. This is in comparison to She-Hulk and Medusa, who have previously helped out.

The new member of the team is Darla Deering, a pink haired woman who Johnny Storm had hooked up with and coerced into helping out. Although she has no powers, she is wearing the Thing’s robotic armor from when he lost his powers.

In the second issue, the team has its first public outing as they fight a large monster under the control of Mole Man, a sort of tribute to the first issue of the original Fantastic Four. It ends with the new team saving the day and dealing with various Human Torches from other realities appearing.

It’s a lot of fun and well written, like most of Fraction’s books. But what I really love is that Allred (and his wife Laura who is a super colorist) has created a dynamic and bright world. Really, this is something that has been missing from super hero comics and it works especially well on this. I would love to see the Allreds on Daredevil.

But yes, this is highly recommendeded  It’s one of the most fun Fantastic Four stories I’ve read in some time, and it doesn’t even feature the proper characters! How cool is that?

Chromium Comic Book Covers…In 2013?

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Yes. The holographic/shiny/magic foil covers are back. Brian MIchael Bendis tweeted this picture today of the upcoming chromium cover version of Age of Ultron: Book 1 and it brings back memories of the “OMG everything is a collector’s item” zeitgeist of the 1990s.

If you weren’t following comics during that period, you really missed out on some craziness. Comic book sales were near an all time high, not necessarily due to the comics themselves being all that great or due to people really enjoying comics that much. The comic book market had been taken hostage by speculators–people buying comics in bulk in the assumption that they would be able to flip it and turn a monster profit. The publishers were more than happy to placate them, with all kinds of gimmick stories (ranging from the Death of Superman to title relaunches) to placate them. They also created what felt like a million different types of covers–hologram, pop-up, and even a Colorforms type–to get people to buy more comics. Although it was a great idea at the time, it almost killed the whole industry by the later part of the mid 1990s when the speculators realized that they couldn’t charge a premium for something that had a print run of over 500,000.

So with Marvel bringing back the chromium for this is truly for novelty sake. When each publisher has ten chromium covers a month, then we can panic.

Friday Fights #25: Mr. Fantastic vs. Namor

namor-vs-reed-richards-mr-fantasticThis is a perfect post-Valentine’s Day Friday Fights! Even though Invisible Woman’s marriage to Mr. Fantastic is regarded as one of the best marriages/pairings in comics, the relationship is perpetually threatened by an obsessive Namor. So if these two men fought for her hand, who would come out the victor?

There are a few things to consider about this epic battle. Namor has a lot of advantages. He’s much stronger than Reed and can fly. Not to mention, the closer he gets to water the more powerful he becomes. Namor can also be a little bit of a psychopath at times, so you would only assume he could be a little more, um, violent with Reed for standing between him and the woman he obsesses.

Reed’s power of unbelievable elasticity kind of pales in comparison. But then again, that’s usually the case. He usually relies on a myriad of gadgets and inventions created just in case he finds himself in situations like this, not to mention that he usually has his three closest friends with him at all times. So without either, it really gives the advantage to Namor.

But there is one thing missing from this hypothetical battle: Sue. It’s pretty clear that she’s madly in love with Reed. In about forty years of comics, no writer has been able to figure out a way for Namor to split them up. So whether she interferes on her hubby’s behalf (or even pleas for Namor to stop), it is a given that Reed is leaving with Sue. And at the end of the day, that’s what is most important. WINNER:  Mr. Fantastic

Thunderbolts #1

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Thunderbolts is the book I’ve been waiting to read for quite some time.

As soon as I saw the teaser image, Thunderbolts completely got my attention. Any book that features some of the more modern characters that I’ve been into (Red Hulk and Flash Thompson-Venom) and puts them aside longtime favorites Punisher and Elektra pretty much guarantees a purchase. Not

The first issue of the series sets up the direction of the team. General Ross is putting together a group of some of the more “extreme” heroes of the Marvel universe to take matters into their own hands, mainly focusing on Ross recruiting an imprisoned Punisher to join him. And really, he doesn’t have much choice because he’s tied up in a warehouse with hundreds of angry mobsters getting ready to bust the door down. As this story is unfolding, they cut to scenes of Ross recruiting the rest of the team around the world.

It’s pretty much what you would expect from a first issue. I don’t know if Daniel Way usually writes in this decompressed style, but I do hope the action picks up in the future. I don wonder how this book would read if it was written by Garth Ennis, especially since the first arc is drawn by his regular collaborator Steve Dillon.

So final verdict: Thunderbolts has a lot of potential to be awesome. It’s got a really interesting characters, most of which have never been in a book with a team dynamic. And I think for those scenes, Way is going to do a great job writing. I can’t wait for him to  pick up the action in future issues; I want to see some crazy Dillon fight scenes!

Friday Fights #24: Cable vs. Deathstroke the Terminator

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We’re back after a break do an extreme case of being too busy. We have a battle of Cable vs. Satellite Deathstroke the Terminator! What would happen if these two bad-ass silver foxes did battle? These two might be a little more similar than you may think.

The first thing that comes to mind with Deathstroke and Cable is how similar the two of them are. First, their appearances come to mind. Both are white-haired. They both also happen to be missing an eye, but both manage to overcome that by being amazing supers. They’re master tacticians  And I’m sure that there is no weapon they haven’t been trained to operate, and probably have faced every kind of hand-to-hand combat imaginable.

On the weaponry end of things, I would have to give Cable being that he is from the future. He has access to blaster weaponry that Deathstroke can’t even imagine. That said, I would have to say that Deathstroke is a much more disciplined fighter, being that he is the best assassin/black ops type in the DC universe.

So what it comes down to is their powers. Cable does have some telepathic and telekinetic abilities, but for the most part he uses them to keep the techno-organic virus that plagues his body in check. Deathstroke has enhanced reflexes and physical strength. But it’s not his brawn that tips the scales in his favor.

Deathstroke is able to operate using 90% of his brain power, allowing him to think steps ahead of everyone around him. And at the end of the day, that’s all he needs to terminate Cable. WINNER: Cable

Friday Fights #23: Vibe vs. Dazzler

vibe-vs-dazzlerIt’s said that there is no such thing as a bad character in comic books; just extremely ill conceived or poorly written ones. This week we feature two combatants who stumbled out of the gate to become cult favorites: Vibe and the Dazzler.

DATED ORIGINS: Both of these characters are extremely dated in their origins. Vibe’s story comes across like the downfall of a member of Manudo; he’s a former break dancer turned gang member turned super hero. Dazzler is a former disco singer whose career is derailed once the public finds out she is a mutant and becomes an adventurer. ADVANTAGE: Neither.

THEY CAN TURN SOUND INTO THINGS: Vibe and Dazzler almost have the same super powers. They can turn sound into seismic and light energy respectively. Dazzler seems to be able to take her powers much further though, being able to successfully take on higher level cosmic villains like Dr. Doom, Terrax and even Galactus. ADVANTAGE: Dazzler.

KING OF THE STREETS: Vibe doesn’t really have much in the line of combat skills. In addition to her music career, Dazzler is an accomplished athlete. She’s also received extensive combat training during her time as an X-Men. I’m sure Vibe’s partners in the Detroit era of the Justice League (one of the lamest groups ever) really couldn’t offer something comparable. ADVANTAGE: Dazzler.

WINNER: Dazzler walks away with this one over poor Vibe. She is a much more established character, having been expanded so much over the years to be more than just a disco joke. Vibe has a chance to evolve and become a better character. Hopefully the new series written by Andrew Kreisberg can breathe some new life into the character.

 

Journey Into Mystery #646: A New Mystery

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Journey Into Mystery found a new Asgardian lead character in issue #646, as longtime supporting character Sif finally gets an adventure of her own. The series also features a new writer in Kathryn Immonen. So how does Sif make out in her maiden voyage?

The story starts out with Sif rescuing one of the many children of everyone’s favorite rotund Asgardian, Volstagg the Voluminous. Sif returns the child to his family only to find something that disgusts her: the Asgardian children know very little of their people’s heroes and legend. Immonen fund a unique way that is a nod to the title’s history; the Volstagg children are proudly showing Sif issues of Journey Into Mystery from the early 1960′s giant alien monster era! To the kids’ defense, that what happens when you pretty much live in the middle of Oklahoma.

By the second half of the issue, the series’ new direction is pretty much set. Sif is on a quest to find out what had happened to some of the forgotten mythological characters of Asgard’s past, but also seems to want to establish her own place in the hierarchy of the Asgardian pantheon. The first issue ends with her seemingly beheading Aerndis, some sort of mythological teacher who might have been an enemy of the Asgardians. The last page has Sif sitting at an Oklahoma bar having a beer or two, with what appears to be Aerndis’ bloody head in a bag next to her.

On the art end, Valerio Schiti just knocks one out of the park. The Italy-based artist just knocks it out of the park on this. It’s just amazing to look at it. His style skews toward the thinner linework side but is great. In the opening story you can see that he’s more than just your average comics artist; he can draw children and women very well, something that many a comic artist can’t master.

Some of the dialogue was a little rough (with the Asgardian/old English vocabulary) to get through at points, but Journey Into Mystery was a pretty good first issue for a new direction. I do want to see where this story goes but I’m not sure if this is going to be a monthly purchase. I think I’ll be talking more about this in April when the first collected volume comes out.

Friday Fights#21: House of Magneto vs. House of Vader

vaders-vs-magnetosIt’s time for some villainous family feuding! What would happen if Magneto and kids tussled with Darth Vader and his own set of twins? The two sides have a pretty elaborate and expanded family tree but we’re focusing on Magneto, Quicksilver and Scarlet Witch going up against Darth Vader, Princess Leia and Luke Skywalker.

What you get with both families is a lot of dysfunctional relationships. Both the Vaders and the House of M have a lot of similarities. Both of them are headed by a father with some serious emotional issues, who have really strained (at best) relations with their children. After all, they have tried to kill them several times over the years! Luke and Leia are more stable than Quicksilver and Scarlet Witch; unfortunately the Skywalker twins accidentally made out! On the mutant side of things, it’s not much better as the twins are always trying to gain their father’s acceptance, even though they consider him to be a threat to the universe!

Ultimately both groups would have to coexist among themselves. The battle isn’t a matter of the Force vs. magnetism; it’s once Scarlet Witch uses her reality warping to take out her Jedi combatants. And after that, Magneto will take his kids to McDonalds for a Happy Meal.