Over the years, I’ve gained a certain fondness to the Helena Bertinell/Huntress character. And I think the fact that Huntress: Crossbow at the Crossroads pretty much eliminates her in the New 52 DC landscape might have soured my reading experience.
This mini-series is written by one of the creators of the original Helena Wayne Huntress, Paul Levitz, and pretty much sets up the return of that character in DC’s current status quo. Huntress is no longer Bertinelli (Levitz makes a nod to this by having the character use this as an alias) and back to the pre-Crisis Earth 2 version that is the daughter of Catwoman and Batman.
The story itself is pretty run of the mill; Huntress goes to Italy to stop a weapons smuggling ring that is supplying the gangs of Gotham City, only to uncover that there is a related sex trafficking scheme as well. And Huntress–regardless who it is behind the mask–has a problem with that and takes down the crime syndicate. So after her work vacation, she leaves with Power Girl to start the new World’s Finest series.
The result is a kind of dull story that is completely passable. I wonder if Levitz originally wrote this as a Bertinelli story and editorial decided to switch it to a Wayne one at some point. Who knows. I hate sounding negative, but I just couldn’t get into the story at all, probably because it symbolized the end of my favorite Huntress. But on a more positive note, I did like the Guillem March art in this.
So should you give Crossbow at the Crossroads a chance? If you are a fan of any of the creators of the book–or even Helena Wayne–then you will be content with this. But if you’re like me and part of the Bertinelli camp, you can skip this.