Uncanny X-Men #244

Uncanny X-Men #244 is the debut of everyone’s favorite firework/firecracker thrower Jubilee into the X-Universe! The story is by Chris Claremont and Marc Silvestri.

Jubilee has been causing a ruckus at the local mall with her mutant powers (this is so late 1980s it makes me sick!), causing the local mall security to call in the M Squad. Basically they are a private mutant hunting group that you call in. Instead of being pest control for mice, they hunt super humans.

Back at the X-Men’s temporary headquarters in the Australian outback, things are getting difficult for the X-Women. Mostly they just hate it there.

So Dazzler winds up convincing them that they need a day at the shopping mall to cheer them up. Things get weird with her, Storm, Psylocke and Rogue shopping and eventually going to a male revue. You read that right. What kind of shopping mall is this?

Eventually the M-Squad finds the X-Women and there’s a bit of a light scuffle between the two groups. The M-Squad are more like the Keystone Cops, and it’s up to the mutants to save everyone in the mall! As they teleport back home, Jubilee decides to join them and runs into the portal just in time.

X-Men #1-3: Primer

It’s ladies night!

I keep forgetting how awesome a writer Brian Wood is and the first three issues of X-Men are just another example.

This volume of X-Men focuses mainly on the female characters in the X-Universe which is a first. Quite frankly, it’s about time.

The story starts with Jubilee showing up at the X-Mansion with her baby (well I should say adopted baby that she found) Shogo because the sentient bacteria creature named John Sublime has been stalking them. I thought this was a new character, but it turns out that he’s been around since the early 1990s.

After being stopped by an X-Men squad of Psylocke, Storm, Rogue, Rachel Summers and Shadowcat, Sublime reveals why he was stalking Jubilee and Shogo. It turns out his evil sister Arkea–who is also an evil bacteria organism herself–was travelling around on Shogo’s body. Things get worse when Arkea then infects the unconscious body of Omega Sentinel and the X-Men have to find a way to stop Arkea without using lethal force.

Wood just hits this one out of the park; everyone in this book gets equal story time. Now I know I’m biased because I like all these characters, but everyone comes across looking really important. He even managed to make Sublime and Arkea interesting.

On the art side, Olivier Coipel is no slouch. What a great way to start a new series.

Hip Hop Family Tree Free Comic Book Day 2014

The whole purpose of Free Comic Book Day is for publishers to get new readers to pick up their books by offering a sample. Artist/writer Ed Piskor and his publisher Fantagraphics hit one out of the park with the Hip Hop Family Tree Two-In-One sampler.

It pulls material from the first volume that shows how characters from comics and rap music are similar. I didn’t even know this was a project and I want it now. Immediately.

It’s well written, the art is fantastic and Hip Hop Family Tree also happens to be hilarious. Not to mention the coloring and production effects that make this look completely vintage. I think I’m in love.

Red Hood and the Outlaws #31

This is a series that I’ve been picking up every now and then. To be honest, I’m not up to date with the book, but the fact that it has the lead characters fighting with Lobo gave issue #31 the potential to be awesome in at least my mind.

We’re joined in progress on some alien space station and Lobo is standing victorious. He has defeated the Outlaws and is ready to unleash some sort of over the topic, only-in-comics type of weapon that will turn the planet earth into a black hole.

Why?

Lobo goes on a rant about how destroying the planet would be great for his business, especially since there is some sort of Rann/Thangar war brewing. Luckily for everyone on the planet, Arsenal brings his A-game, breaks Lobo’s war machine and sends him to the other side of the galaxy. It’s back home for the Outlaws.

Who cares what is up with them, but the ending teases the long-awaited bad-ass Lobo versus the New 52 Lobo. Hot damn.

Days Of Future Present

If yesterday’s post was too straight forward, today’s will be a little more complicated. “Days Of Future Past” brought on the super epic “Days of Future Present” and ties together the X-books of the time with the Fantastic Four. This ran through four annuals (Uncanny x-Men, X-Factor, Fantastic Four and New Mutants) in the summer of 1990. And it all pivots around Franklin Richards.

An older, adult Franklin from the alternate future where “Days of Future Past” happened travels back in time to the then-current day Marvel Universe, which causes all kinds of craziness with the Fantastic Four and the young, child Franklin. It also causes problems with Rachel Summers, who was originally from the same timeline as adult Franklin where they were romantically involved with each other  and she assumed he was dead. It only gets more confusing as it is revealed that when Rachel traveled back in time, an evil Sentinel/cyborg hybrid called Ahab had followed her, planning on not only killing her but several mutants and super humans who would become in the future. It’s a lot like Terminator 2: Judgement Day, only coming out the summer later.

And as this is going on, both Franklins are having trouble controlling their mutant ability to war reality, which makes things all the more difficult.

The story is a little long at times, but the writing team of Louise Simonson, Walt Simonson and Chris Claremont manage to make it cohesive enough to be enjoyable. But then again, during this time any book that was associated with the three of them was great.

On the art side of things Jackson Guide, Jon Bodganove and Art Adams did a great job. The three of them have unique and timeless styles, and nothing felt out of date save for some of the fashion choices.

Main story aside, there are some other cool moments. We are introduced to Gambit for the first time, who debuts helping Storm (who has been turned back into a teenager) break into the X-Mansion. There is also the first time that Jean Grey meets Rachel, her possible daughter from an alternate future. That must have been awkward.

Speaking of awkward, we also get scenes (like the one pictured) that have both Cable as an adult and as a child in baby Nathan. That’s possible, since Nathan gets sent to the future to be raised, only to come back as Cable. But at the same time I wonder if that aspect of the character’s life was planned out yet.

The Uncanny X-Men #141-142: Days of Future Past

One of the most iconic comic covers of all time.

Who knew that a two-issue story arc that ran in The Uncanny X-Men  #141-142 would be such a profound moment in the series.  Before we talk about the movie that comes out on Friday, let’s talk about the story that started it all.

“Days Of Future Past” is fairly straightforward. In the year 2013 (doesn’t that seem like yesterday?), it completely sucks for man and mutant alike. The robotic Sentinels that were deployed to stop mutants (as a result of the assassination of super mutant-hater Robert Kelly) have taken it one step further, turning their robotic eyes to super powered humans alike.

Things are getting rough and it seems like humanity is approaching a nuclear fallout. What’s left of the X-Men have a plan to go back in time to prevent this future, by finding a way for the Kitty Pryde of 2013 to communicate with the younger version of her in 1980 to prevent Kelly’s assassination at the hands of Mystique’s latest group of the Brotherhood of Evil Mutants.

The fall out of this story leaves a huge impact on the X-books for years to come. It introduces Rachel Summers (Cyclops and Jean Grey’s daughter from the future), as an extremely powerful telepath who was responsible for connecting the Kitty’s of the future and path. She later becomes a very important character in her own right.

It also introduces a plot point that sticks through future X-Men stories, as they are now aware of there being a “worst case scenario” that someday there will be a Mutant Registration Act that leads to the attempt at exterminating the mutant population of the world.

And this is purely conjecture at my point, but it really establishes Kitty Pryde as being one of the top level characters in the X-Pantheon. Before, she was just kind of a sidekick or follower of the rest of the team. But from this point forward she really came into her own and became a focal character.

At the very least, it gives us that awesome John Byrne cover of Uncanny X-Men  #141 which has been parodied and influenced thousands of other comic book covers over the years. Maybe not tou

Ben Affleck’s Batman Suit

I might as well join the bandwagon and put in my two cents about the new Ben Affleck/Batman suit; everyone else seems to be.

I have to say that I like it.

It reminds me a lot of the way that Jim Lee or Frank Miller would draw the character; it looks right out of the duo’s All Star Batman from a few years back. The suit looks right to me, much more than the plate armor that the character was sporting in the Christopher Nolan trilogy.

I think even Butters would agree; this is going to be awesome.

Aquaman Volume 1: The Trench

I think I’m the only person in the world who finds Geoff Johns’ writing to be very hit or miss. I know I’m not the only person in the world who thinks that Aquaman can be pretty lame as a character. That said, when I picked up Aquaman Volume 1: The Trench I had really low expectations. What I wound up reading was a really fun story pitting Aquaman against an army of aquatic subterranean creatures.

The main story featured in this collection is from Aquaman #1-4, with the cannibalistic deep-sea dwellers called the Trench invading the surface world. It’s up to Aquaman and his wife Mera to stop this invasion. Think of Night Of The Living Dead meets The Abyss, except with a lot more humor worked in. Eventually it’s revealed that the reason that the Trench are invading the surface world is that they are facing extinction and trying to stop it, but at the expense of the surface world. Eventually Aquaman saves mankind (and probably the rest of the residents of the ocean as well) by trapping the Trench. And along the way he rescues a Golden Retriever who winds up being named Aquadog.

The other two stories in this collection feature Aquaman stranded in a desert and a story that tells more about Mera’s origin as an Atlantean assassin. These are perfectly acceptable, but the main story line is what makes the collection. It’s certainly sold me on the series; I have the next two volumes waiting for me at the library.

 

Captain America: The Winter Soldier

Here’s a better late then never review of Captain America: The Winter Soldier. I really liked. That, and this movie owes a lot of credit to Ed Brubaker, who wrote the original Winter Soldier storyline that serves as the backbone of this film.

There’s a bit of a mystery element to the movie, with the evil organization Hydra (which was last seen in Captain America) having slowly integrated itself into the SHIELD organization since it was assumed to have been disbanded after World War II. Now using SHIELD’s resources, Hydra has completely rebuilt itself and looks to take over the world.

It’s a good thing that Cap, Black Widow, Nick Fury (who fakes his own death) and a newly-found ally in the Falcon are here to stop Hydra’s latest attempt at taking over the world. The only thing is that SHIELD/Hydra send the Winter Soldier (Bucky from the first movie, who has been turned into a cold-blooded cyborg mercenary) to stop them. And clearly the good guys win, since it is a super hero movie.

Winter Soldier is filled with a lot of suspense and action, pretty much everything you would want and expect in a Captain America movie. Some of the back story about how Hydra has worked in the shadows felt like a stretch, but it generally didn’t hurt the movie that much. Plus, it brought us the Arnim Zola as an old computer terminal center scenes.

Chris Evans is a great Captain America, especially the scenes where he is shown as being a man out of time who has to carry a notebook to write down all the things he has missed out on. I can’t wait to see the following Cap films that this movie sets up: the next Avengers film and the following Captain america movie. This movie gets a big thumbs up and I might have enjoyed it more than Thor: Dark World.

In Tribute Of Dick Ayers

Bleeding Cool (via Roy Thomas) reported that the 1950s/1960s Jack Kirby-inker Dick Ayers and longtime Sgt. Fury and His Howling Commandos penciller passed away on May 4, shortly before what would have been his ninetieth birthday. I was fortunate enough to get the above sketch from him at the 2006 Baltimore Comic Book Show, which was an adventure all in it self.

I was in line waiting to get a sketch, and I really wanted to get one of Nick Fury. But when I was next in line, I told Dick that I wanted a sketch of Hawkeye. I felt just like Ralphie in A Christmas Story, ruining my moment with Santa Claus.

There was a brief pause.

Dick looked up at me from the table and said the following: “You do know that’s a difficult costume to draw.”

There was another awkward pause. Now I’m feeling really embarrassed.

But before I could say something, Dick said “How bout I draw Doctor Doom instead?” I nodded my head just like a confused little kid would. I then spent the next twenty to thirty minutes talking with him about what it was like working for Marvel in his day and he answered every question, even telling me a few interesting stories about Jack Kirby!

And that’s how I wound up having an awkward exchange with a comics legend (that turned itself around) and how he drew Doctor Doom for me. Thanks for the memories, Dick!