Planet Hulk Movie: Great Space Epic With 99% Less Bruce Banner

There are two complaints that film snobs always have:

  1. The source material was infinitely better.
  2. Direct to video films always suck.
Lionsgate and Marvel refute these claims in the 2010 direct to video release Planet Hulk, which adapts Greg Pak’s epic story of Hulk’s new life on the planet Sakaar.
The plot is fairly simple and you don’t need any current comics knowledge go follow. Hulk has been launched into space by the other heroes, as they’ve had it with him not being able to control his anger and being a huge problem (I would’ve said major pain, but I wanted this post to be free of any Damon Wayans references). Unfortunately for Hulk, instead of taking him to the happy planet where he could spend the rest of his life, he landed on the war-torn, wasteland of a rock called Sakaar.
Hulk gets imprisoned by the planet’s evil dictator the Red King and forced to fight in an arena, something straight out of Gladiator. By leading his new group of warbound gladiators in a rebellion, he finds himself fulfilling the an old Sakaaran prophecy of a “worldbreaker” coming to unify the population and start a new golden age.
There is more to the story, but I think I’m going to save that for a piece on the original comics. I will say that this is a very straight up adaptation of Pak’s story, save for Beta Ray Bill being substituting for Silver Surfer as a captive in the Red King’s coliseum. It turns out that this wasn’t as much of an editorial decision as a legal one, as the Surfer’s animation rights were held by someone else.
Throughout the film, there’s a bunch of cameo appearances by Marvel’s cosmic characters in the coliseum, including Gamora, Adam Warlock and Star-Lord. It was a nice nod to super fans.
I really enjoyed Planet Hulk. The visuals were great, and the animation was smooth. This is definitely recommended. Get it from your Red Box or local library today.

30 Things I Like About Comics—#10 Louise and Walt Simonson

Walt & Louise Simonson @ Boston Comic Con

Walt and Louise Simonson at Boston Comic Con(photo courtesy Brad Searles's flickr account)

 
Talk about a power couple! Louise and Walt Simonson are two of my favorite comics creators. Whether working independently or as a team, any book that they get a credit on is a must buy for me.

I could go on for days talking about their work, but lets just visit some of their more well known projects.

As a writer, Louise had lengthy runs on Power Pack (which she created with June Brigman who went on to the Brenda Starr comic strip) and New Mutants, two of my favorite series from Marvel. Over at DC, she was a big part of the 1990s Superman line, writing Superman: Man of Steel and later created Steel with Jon Bogdanove during the “Death of Superman” era. Louise has also crossed over from the comics spinner to the bookstore shelf, having written several novels and young adult books featuring DC super heroes as well as DC Comics Covergirls, a coffee table book featuring the history of the publisher’s lady characters.

Walt made a huge splash on the comics scene with his Manhunter backup feature in DC’s Detective Comics. He went on to his now legendary run on Marvel’s Thor, where he was the writer and artist. This really is some of the best Thor stories ever; this period brought us Beta Ray Bill. He also had a similarly successful run as writer and artist on Fantastic Four. Walt has also worked on a bunch of projects for DC, including Orion, New Gods and Hawkgirl.

Power Duo

Walt and Louise Simonson. Photo courtesy Andy Ihnatko (www.flickr.com/andyi)

Together, Louise and Walt had an extended run on X-Factor, where they turned poor Angel into the super awesome Archangel. They also wrote the critically acclaimed Meltdown limited series; a surreal adventure featuring Havok and Wolverine, with art by painters Kent Williams and Jon Jay Muth. Recently they’ve collaborated on a series about the video game World of Warcraft for DC/Wildstorm.

Their legendary careers aside, the Simonsons are super nice and friendly when meeting fans at comic shows. They’ll happily sign anything and love talking about comics.