Mike Deodato sketching at New York Comic-Con 2009 (courtesy http://www.flickr.com/excalipoor)
Brazil can lay claim to being the home to the samba dance, the capoeira fighting style, Max Cavalera and his thrash metal bands Sepultura and Soulfly, and Mike Deodato, who happens to be one of my favorite comic book artists.
One of the things that separates him from his peers and puts him closer to artists like Pablo Picasso and Jackson Pollock is that Deodao has distinct phases of his career.
If you look at his work from the 1990s, it really fits the Image Comics style that was all the rage. There is a strong influence of Jim Lee, especially in the way he constructs his figures. On the clothing side, he takes some fashion tips from Rob Liefeld in his designs. Some people think that this part of his carer, although good, is dated. I don’t agree with that. There is a certain amount of motion and detail in his work from this period that will always stand out. Some of his best work from this period is the “Worldengine” story in Thor with Warren Ellis. His versions of the Asgardians and their world were breathtaking. He also had a really good run on Wonder Woman with William Mesner-Loebs.
Deodato seemed to have disappeared from the comics world for a while and came back to Marvel with a vengeance in the mid 2000s. His new/current style involves a lot of negative space and shadows, creating a dark and moody environment for the characters. Even the way he draws people has changed, going to a much more photo-realistic style reminiscent of Brian Hitch. Primarily he has been working on Avengers related books, like New Avengers, Secret Avengers and Thunderbolts, and even had a really good run on Amazing Spider-Man as well. This new style debuted on a run of Incredible Hulk with Bruce Jones, which was more espionage than action/adventure. This new look was perfect.
For more information, pictures of some of his recent work and art sales, visit Glass House Graphics.
Ridiculously Awesome 