It’s another spin-off from Red Hood and the Outlaws. Starfire #1 was pretty good, so how did her two former male teammates wind up?
Red Hood/Arsenal #1 brings Red Hood and Arsenal back together again for a new adventure. I really like the dynamic between the two characters, as being friends who constantly one-up each other. In the new DC paradigm, the two have even more in common with them both being the wayward sidekick.
Anyway, the new series has the two of them being reunited at a hostage exchange. There is a lot of action, a few nice fight scenes rendered by Denis Medri along the way. By the end of the issue, the two decide to start working again and we have the new series.
Scott Lobdell writes the characters well, and I think that Arsenal is going to get pushed a bit more to the upfront. Now if he’d only lose that silly hat!
These days, any time Amanda Conner and Jimmy Palmiotti are given a female lead they can’t go wrong. They can add Starfire to the list.
I’ll admit, I’m not really a long-term fan of the character. I’m entertained by the silly alien interpretation of Starfire that has been on Cartoon Network’s Teen Titans animated series. And I’ve really grown to like her, since I enjoyed how she was used in the recently ended Red Hood and the Outlaws series.
Conner and Palmiotti somehow manage to combine both of those versions into the same character. Kori is done (for now) being a super hero and has relocated to Key West, Florida.
They’ve build a new world around her, consisting of the local named Stella, as well as an elderly landlord and her grandson. The issue has the same kind of feel as a sitcom, with our lead character being a very happy go lucky fish out of water trying to make a good impression on the town around her. She doesn’t completely understand the people around her in a comedic way, much like the aliens on Third Rock From The Sun. It’s very silly, but the reader never feels insulted. The first issue ends with Kori experiencing her first ever hurricane.
On the art end, Emanuela Lupacchino’s art is very expressive. If they keep the more emotion, character driven story going, this will only make the series better. Put this in your buy pile.
I’ve always thought that Midnighter was a cool super hero for years. If you’re not aware, he’s basically a more bad-ass version of Batman (it’s true!). And as much as I liked the most recent Stormwatch series, at times it read a little too complex for my personal taste.
So the new Midnighter series by Steve Orlando definitely got my attention. What I liked about this first issue was how much it focused on Lucas, the man behind the mask.
I think this might be the first time where I read the character being vulnerable. I mean, as far as the combat scenes were concerned, he completely kicked ass. The fight sequences by artist ACO look like they were inspired by Mortal Kombat. Anyway, Midnighter’s vulnerability is on display as we take a glimpse into his dating life. He has met a guy online and the first date is ruined by a group of terrorists running amok in the restaurant that they just happen to be eating in. Comics everyone!
But as the issue goes on, Lucas starts getting attached to his new love interest and goes as far as embeds him with an emergency communications link. And just as his personal life starts coming together, he’s whisked away to the God Garden to save his spiritual benefactor the Gardener.
Midnighter looks to take a complex character and put them into an even more complex world, balancing his romantic life with his super hero responsibilities. But what makes this stand out from the million of other similar themes is the fact that he is gay and ultra-violent. Midnighter is just a fascinating character and I can’t wait to see where this goes. This is definitely the type of series that lends itself to binge reading (or trade waiting), as there is just a lot of stuff going on. But don’t let that scare you. It’s good stuff.
I think I’ve said it before, but anything that involves Dan Jurgens writing/drawing Booster Gold is a must-have for me. Future’s End: Booster Gold falls into that category.
In this one-shot, Booster Gold is being forced to jump through time and the Multiverse, jumping from the “Gotham by Gaslight” era, to the end of the New 52’s Justice League International series where he witnesses himself disappearing from the time stream, to even the world where the Carlton characters are still around. He even winds up fighting the tiger-people from Kamandi’s future in a perfect homage to Jack Kirby.
As this is going on, there is another Booster Gold being tortured by robots under the control of Brainiac who hope to learn the secrets of time travel. Eventually the two Boosters meet up (along with his sister Michelle) and one of the Boosters winds up being willing to explain the concept of the Vanishing Point to Brainiac to save their sister. A lot of that stuff I really didn’t understand, since I’ve been avoiding the Future’s End story line.
But hey, all I wanted was some more Jurgens doing Booster Gold, and that was what this issue was all about. Plus it came with a cool lenticular cover so I have nothing to complain about.
I’ll admit; I bought JSA #54 because it had this awesome Carlos Pacheco cover. I mean, really, what’s there to not like about the Justice League of America and the Justice Society of America getting down for a Thanksgiving party.
I mean, I will give you that it does seem a little odd how Superman and Power Girl are posed respectively as the mother and father as this group. Especially when you remember that they are cousins. But there’s something Norman Rockwell-esque about this cover that just gets me.
The story itself is a one off written by Geoff Johns, and it’s a fun quick read. It’s a very light one at that, pretty much having all of these super heroes getting together for an afternoon of holiday fun.
You can check it out on Comixology; it’s a cute one.
I’ve always been a big fan of Brother Blood, mostly due to picking up some comics that had the Teen Titans fighting him. That, and a really wicked cover of him rising out of a vat of blood. The New Teen Titans #22 is the second appearance of this highly underrated villain.
The issue is joined in progress, with Brother Blood’s cult having kidnapped Robin and Wonder Girl, both of whom are being tortured by a very generic looking cult member called the Confessor. Robin also spends most of the issue running around in his underwear, until Cyborg and Kid Flash rescue their missing team members.
Brother Blood attempts to escape, but a staged accident frames the Titans for killing the cult leader. Things don’t look good for the next issue, as Starfire’s evil older sister Blackfire is en route to planet earth.
The art is awesome; it’s George Perez at his peak. And the story is fine. Good book.
I’ll admit it; sometimes I purchase comics because of the hype that is around them. And that is precisely why I bought Nightwing #30. It features the debut of the New 52 (although it feels really odd still calling it that nearly three years later) of Helena Bertinelli, better known as the Huntress.
The issue starts out at a refugee medical camp in the Congo that has fallen under attack by a “depopulationist” group called the Fist of Cain, which is made up of some of the most random looking assassins and murderers they could hire. One is decked out in corpse paint, looking like the lovechild of a Norwegian black metal band and King Diamond. The other looks like he walked straight out of Disney World’s Adventurers Club.
One of the relief workers was Dr. Leslie Thompkins, Batman’s long-time doctor. She is conveniently rescued by Helena, who is wearing some sort of white disco suit and has a bit of a fro going on. Leslie is taken to her headquarters where she talks with a man with an unrecognizable face and might have spilled the beans about Batman being Bruce Wayne. We know this because she’s telling Batman the story, and he doesn’t look too happy. Leslie also mentions the group has a weird insignia that she keeps remembering, an eye at the center of a spider-web.
The story then shifts to the Batcave, where Batman and Nightwing are involved in some sort of weird Fight Club style conversation. Basically in the last few months Nightwing has had his secret identity revealed by the Crime Syndicate, turned into a living bomb and apparently “killed” by Lex Luthor. It has been quite the rough past few months for him. So instead of talking about why he should join the cover black-ops group Spyral, they have a fight to the death to see if he is up to the challenge. Of course he is. The book ends with Dick going off with Valerie, setting up the new Grayson series for next month.
As an issue, it nicely ties up everything from the Nightwing series, but I really could have done without the Bats/Dick fight to the death. It just seemed over the top. I think Batman really needs to learn how to communicate with people without using his fists so damn much.
This is a series that I’ve been picking up every now and then. To be honest, I’m not up to date with the book, but the fact that it has the lead characters fighting with Lobo gave issue #31 the potential to be awesome in at least my mind.
We’re joined in progress on some alien space station and Lobo is standing victorious. He has defeated the Outlaws and is ready to unleash some sort of over the topic, only-in-comics type of weapon that will turn the planet earth into a black hole.
Lobo goes on a rant about how destroying the planet would be great for his business, especially since there is some sort of Rann/Thangar war brewing. Luckily for everyone on the planet, Arsenal brings his A-game, breaks Lobo’s war machine and sends him to the other side of the galaxy. It’s back home for the Outlaws.
Who cares what is up with them, but the ending teases the long-awaited bad-ass Lobo versus the New 52 Lobo. Hot damn.
I might as well join the bandwagon and put in my two cents about the new Ben Affleck/Batman suit; everyone else seems to be.
I have to say that I like it.
It reminds me a lot of the way that Jim Lee or Frank Miller would draw the character; it looks right out of the duo’s All Star Batman from a few years back. The suit looks right to me, much more than the plate armor that the character was sporting in the Christopher Nolan trilogy.
I think even Butters would agree; this is going to be awesome.
I think I’m the only person in the world who finds Geoff Johns’ writing to be very hit or miss. I know I’m not the only person in the world who thinks that Aquaman can be pretty lame as a character. That said, when I picked up Aquaman Volume 1: The Trench I had really low expectations. What I wound up reading was a really fun story pitting Aquaman against an army of aquatic subterranean creatures.
The main story featured in this collection is from Aquaman #1-4, with the cannibalistic deep-sea dwellers called the Trench invading the surface world. It’s up to Aquaman and his wife Mera to stop this invasion. Think of Night Of The Living Dead meets The Abyss, except with a lot more humor worked in. Eventually it’s revealed that the reason that the Trench are invading the surface world is that they are facing extinction and trying to stop it, but at the expense of the surface world. Eventually Aquaman saves mankind (and probably the rest of the residents of the ocean as well) by trapping the Trench. And along the way he rescues a Golden Retriever who winds up being named Aquadog.
The other two stories in this collection feature Aquaman stranded in a desert and a story that tells more about Mera’s origin as an Atlantean assassin. These are perfectly acceptable, but the main story line is what makes the collection. It’s certainly sold me on the series; I have the next two volumes waiting for me at the library.
I don’t know half of what’s happened leading up to this but it’s got a cover that makes me happy. As a long-time fan of the JLI era, getting to see Guy Gardner and Ice getting into some mischief is enough for me.
Red Lanterns #27 starts on some planet that Guy and the rest of the Red Lanterns liberated. He’s also had a bit of a change in appearance from the cover, as he now sports a mustache that Burt Reynolds would be jealous of.
The main story features Guy trying to win his ex-girlfriend Ice back, who lives in an icy cabin in the woods of Norway. It’s just like the movie Frozen, except a million times cooler. They broke up because he’s an angry, miserable son-of-a-gun but he’s much better now.
The subplot has two teams of the Red Lanterns out on patrol, two looking for the missing ring of the late-RL Ratchet, and the other two go sight-seeing around the planet Earth. Unfortunately they make fun of Guy’s hometown Baltimore, which also happens to be one of my favorite places.
Perhaps I’ll follow this series more…
Superman just became awesome again.
I will admit that I’ve grown away from Superman as a character. At one point he was definitely one of my favorites; I loved the whole Dan Jurgens/1990s era of the character when they were putting out four tightly knit Superbooks a month. But over the years, I wound up losing interest, especially all of the undoing of the John Byrne post-Crisis aspects and replacing them with a more Geoff Johns/Richard Donner theme.
The Superman in the New 52 books has peaked my interest on and off, mostly due to Jurgens’ involvement on the title. Fast forward to the recent announcement that there was going to be a new Superman series with Geoff Johns at the helm and I wasn’t that excited. But with them announcing that John Romita Jr. would be drawing Supes with Klaus Janson on the inking side, suddenly this is something I want to read.
This is the first DC work that JRjr has done and having it be on one of their–if not the–highest profile characters certainly is exciting. Color me optimistic.
Thanks to my friendly local public library, I’ve been on a bit of a New 52 kick. Scott Snyder’s Batman: Death Of The Family is a suspenseful collection that pits the Dark Knight against his most sadistic foe–the Joker.
The story is simple; the Joker has returned to Gotham City and is recreating some of his
greatest most horrific encounters with Batman. Not only that, but he’s attempting to kill of Batman’s allies. Batman kind of expects that he would go after Batgirl, Red Hood and even Red Robin. But things get taken to another level when the Joker sets his sights on Bruce Wayne’s long-suffering butler Alfred. It’s up to Batman to stop the Joker and save his extended Batfamily.
The conclusion of the story isn’t the most satisfying. One of the plot points is that the Joker has somehow figured out the connection between Batman and Bruce Wayne, to the extent that he knew that a way to get to Batman would be by attacking Alfred and how to access the Batcave (which is presumably still connected to Wayne Manor). This was explained in a flashback at the story with Batman as Bruce Wayne confronting the Joker at the Arkham Asylum over a Joker card that was mysteriously found in the Batcave. That in turn gives away everyone else’s identity. But at the end of the story, it was pretty much stated that the Joker didn’t know any of this information. That part I’m still not clear on.
The other interesting reveal was that Batman does indeed know who the Joker was before be became a sociopath. They didn’t reveal it but I would assume that it would mean that he is connected to some of the more prominent characters in the Bat universe.
Death Of The Family did get my attention and I did enjoy it. I really wish that the big reveals at the end were more concrete and not just spring boards for future stories. If you have any thoughts, please comment because I’m still trying to put it all together.
I know it’s been a while; I’ve been spending more time reading comics than blogging about them. Well, that and being increasingly busy in my professional life. So here’s a quick one so I can get back on track.
Teen Titans #0 gives us the backstory of the New 52-ized Tim Drake. Previously Tim was the son of two Bruce Wayne-level wealthy parents, and over the years he had several encounters with both Bruce and Dick Grayson. He eventually figures out their secret identities, and after the death of his mother and crippling of his father Tim becomes the third Robin to avenge his family’s losses.
Writer Scott Lobdell takes the origin in a different direction. He’s a superstar high school gymnast and general smartypants who tries to figure out–unsuccessfully–who the Batman is. To get the Dark Knight’s attention, he hacks the Penguin’s bank account.
That was a surefire way to get everyone attention, with Batman having to save them. As a result, his parents have been put into the witness protection program and have been relocated somewhere in the country and he now has to take the identity of Tim Drake, an adopted ward of Bruce Wayne. At that point Bruce finally reveals that he’s Batman and Tim dons the roll of Red Robin.
The one theme that is hammered into this issue was the relationship between Tim and his parents. They were immensely proud of him and everything that he had been able to accomplish. However, he wound up giving that all away in his quest to unmask Batman. Not only is he isn’t living with them and with extremely limited contact, but they will never know about his true greatest accomplishment: being a super hero.
It’s interesting all around and I’m sure Lobdell is planning on revisiting his parents at some point.
I’m not reading too much current DC stuff this days, but I did pick up Justice League of America #7.1. That said, writer Matt Kindt should get all the credit in the world for doing something extremely difficult: making Deadshot awesome.
The issue lays out the New 52 version of Deadshot’s origin that kind of models itself after the Batman model. When his super frugal parents were gunned downed by a wasteful and sloppy pair of gang members, he snapped.
Deadshot spent the rest of his life training to avenge their deaths in a cost-effective way…by being completely accurate. And this sense of frugality and perfectionism has made him one of the–if not the–best hitmen available. He has a very odd moral compass and that sets him apart from the more wantonly violent assassins in comics (Bullseye I’m looking at you!).
The story ends with him explaining his relationship with Amanda Waller and her government sponsored Suicide Squad, and how he’ll do anything–good or bad–as long as the price is right. Kindt did a great job taking an older gimmick comic book character and completely modernizing him. Check this out…you won’t be disappointed.
I really thought I was going to like this a lot more than I did. Batman/Deathblow: After The Fire is a collaboration of sorts between Batman and Deathblow in Gotham City. There is a caveat: the two characters never encounter each other and writer Brian Azzarello did an awesome job with that plot twist.
The premise is fairly simple. Ten years ago, Deathblow and another government black ops soldier named Scott Floyd failed to stop a crime syndicate that employed a pyrotechnic hitman. At the current time, Floyd becomes a friend of Bruce Wayne and is murdered by this fiery villain. Bruce/Batman are off to avenge his death and bringing this criminal to justice. The story goes back and forth between Batman’s present and Floyd’s past as they both race to stop this new mysterious villain.
Batman/Deathblow never delivers that big Batman and Deathblow encounter that I assumed would happen, so in that sense the book doesn’t deliver. Instead, there is a slow burning mystery, which you would expect from an Azzarello written Batman. It is certainly not the most exciting or well written story in Azzarello’s bibliography, but if you are a fan of his you will enjoy this.
Art in this was by Lee Bermejo, who later went on to collaborate with Azzarello on the Luthor and Joker books. It’s dark and moody, thanks to Tim Bradstreet’s inking and an extremely muted color palette.
I know I’ve been kind of harsh on some of the New 52 stuff that DC has been putting out, but I was pleasantly surprised after I read Batman/Superman #1-2. But then again, anything that combines Jae Lee’s art with a Greg Pak script will be great.
This series starts out with the two meeting for the first time, shortly after Clark Kent is investigating Bruce Wayne for an article he is writing. After a costumed encounter, they realize each other’s extracurricular activities and there is a lot of fun super hero battling. This newly found friendship/alliance has them take on the mysterious shape-shifting Trickster and eventually sends them to Earth 2 where they encounter alternate versions of themselves!
It is a bit of a complicated read, with all the shape-shifting and multiple versions of the same characters, but it’s definitely worth sticking with. Pak is a great writer and I’m sure it will all make sense at the end. And for Lee’s art, it’s just awesome.
So I give this a thumbs up. It was a pleasant surprise that I wasn’t necessarily planning to check out.
Did you know that today is the birthday of former United States President John F. Kennedy? Did you know that JFK was able to count Superman as one of his close and personal friends?
The first time JFK and Superman got together was back in Action Comics #309. The president helps Superman out of a bind by stepping in to play the role of Clark Kent. The timing of this book was extremely unfortunate, as it came out the week after Kennedy’s assassination and was too far into the printing process to recall the issue.
DC had another Superman/JFK crossover in Superman #170, which was pushed back to spring of 1964 out of respect to the Kennedy family. The story behind it was pretty interesting, and Dial B For Blog explains it in great detail.
So after about thirty years, He-Man decided that he’s going to do something that the rest of us have to do: wear pants. DC Comics shared his new look on their blog this today.
This is taken from Ed Benes’ cover for He-Man and the Masters of the Universe #4. I’m sure him and the series’ interior artist Pop Mhan (and probably toy maker Mattel) had some input on these new duds. It tones down his barbarian image a lot and has lots of plate armor. The one thing i’m not to keen on this redesign is that it looks like he is still wearing his furry underwear, and the tufts of hair around the shoulders.
So what do you guys think?
Adventure Comics was a long running anthology series from DC. Issues #467-469 caught my attention due one of the features being the debut of the Prince Gavyn incarnation of Starman. I was drawn to this not because of the character, but more because it was Steve Ditko work from the 1980s.
After reading the Steve Ditko book, I’ve had a lot of interest in this period of his career which is very hit or miss. But in these issues, Ditko was on fire. The script is by Paul Levitz, who wrote a lot of DC’s more cosmic stories during this period.
Gavyn is a prince from the intergalactic empire of Throneworld, and after developing powers he was exiled into deep space while his evil and corrupt sister ascends to the throne. As Starman, he comes back to try to liberate his people. It’s what you would expect from a science fiction/fantasy/super hero comic book from this time. One cool thing about the story is that Starman’s origin isn’t explained till the third appearance of the character. I liked that because you already had a sense about him before that was all explained.
And, I guess another reason why I really wanted to pick these up was because of the Gavyn figure I have from the Justice League Unlimited line that Mattel put out during the mid 2000s. I felt obligated to learn a little more about a character that I wasn’t familiar with.
The other stories in these issues feature Plastic Man, which are pretty silly and kid friendly. I think that’s because this would be the time that the character was horrifying a generation of children on a Saturday morning cartoon show.
Don’t believe me?
This might be a conversation for another day.