As much as Rob Liefeld and the rest of the Image Comics gang made a mark on my comics reading during the early 1990s, but so did Superman. Between my brother and I, we had every issue of the four Superman monthly series till right around the Death of Superman era. So needless to say, a comic book story having Superman face off against Helspont would get my attention, but with art by Dan Jurgens (who was THE Superman artist during that period but in my mind) this was definitely something I had to check out.
The story is two-fold. Superman has to deal with being abducted and harassed by Helspont. This evil Daemomite seems to have been elevated to big time player in the New 52, between this and all of his exposure in other books.
Helspont is trying to appeal to Superman in attempt to join forces; having the last Kryptonian on his side would make his plans for domination much easier.The villain also brings the point up that eventually mankind will betray him, as they fear his power and the threat of his rule. And this leads to a moral debate between the two, with Superman turning down the offer as he loves the people of Earth. I guess it shows that for all the differences between the past and the modern DC universe, Superman is still the same, costume changes be damned. The humanity that Ma and Pa Kent taught him really shaped his values. Superman’s life is destined to walk among the humans, helping them when he has to because he’s the only person who can help them.
As Superman is fighting for his freedom, there are some subplots going on with Clark Kent’s coworker friends at the Daily Planet. He was supposed to pick up Lois Lane’s sister Lucy at the airport, but the whole Helspont ordeal had him preoccupied. At the same time, Jimmy Olsen is moving into Clark’s apartment on a temporary basis, as his place is filled with bedbugs.
What you had in these two issues was a Superman that I was really familiar with. Jurgens knows how to draw and write a Superman comic book. So does his co-writer Keith Giffen, as he certainly knows how to write compelling super heroes outside of their costumes; see his JLI/E/A stuff for example. The result is a Superman that is still very new, but completely familiar at the same time.