Frank Miller’s Holly Terror Star The Fixer’s Missing Debut

Remember the Fixer from Frank Miller’s Holy Terror graphic novel? Miller admitted that it was a stand in for Batman, but there is a secret history to the Fixer. A Reddit user who went to high school with Miller stumbled over this: a comic strip that Miller did as a teenager called the Fixer!

It’s interesting from a historical perspective, seeing how elements of his style go back this far.

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Frank Miller’s Holly Terror

Frank Miller’s been a bit of a hot topic in the comics world the last couple weeks, in part because of his comments about Occupy Wall Street which either delighted or disgusted you, depending on which side of the cause you occupy.

Never a stranger to controversy, Miller’s recently released Holy Terror is, well, controversial. This project has its roots going back to the mid 2000s, as he announced a project that would have Batman avenging a September 11 type attack on Gotham City. Miller got somewhere between 50 to 100 pages into it and decided that the story should stand alone, and that is how we got Holy Terror.

So how was it? Well, I wonder if the Batman version was any better. This book, published by Legendary Entertainment’s comic book arm, is a mess.

The book starts out with our Batman stand in, the Fixer chasing cat burglar Natalie Stack. After fighting over Empire City’s skyline, the two inexplicably decide to stop for a little rooftop coitus. This gets interrupted by a few buildings exploding around the city, and the two uncover a conspiracy between some Middle Eastern terrorists and the Empire City police.

Well, at least the art was good. The book looks a lot like his work on Sin City and the Dark Knight Strikes Back, but misses the polish of those works. Story wise, the characters are extremely shallow and there isn’t a lot of depth to anything. You really question why you bought this book, as its a quick read and that’s never something that crosses your mind in a good way.

The main theme of the book is that violence only leads to more violence; Miller stresses the importance of this theme of vengeance to an absurd point. I don’t think that I’ll be reading this again any time soon.

Cyriaque Lamar pretty much summed it up perfectly over at iO9 “[this] is way less fun than Ronnie James Dio’s “Holy Diver.”