Now this was awesome. Red She-Hulk: Hell Hath No Fury was something that felt completely fresh in its concept. Betty Ross (who can change at will into the Red She-Hulk) in a situation like The Fugitive; she has to shut down a top-secret military super soldier program called Echelon.
Since this is technically an attack on the United States, the Avengers have been sent to stop her. They don’t know that Betty has been informed by Nikola Tesla via an ancient computer called the Terranometer is that Echelon will eventually bring about the end of humanity. I know that doesn’t make sense, but if you have been reading Jonathan Hickman’s S.H.I.E.L.D. it would.
She is in pursuit by Machine Man, who winds up joining her after he connects to the Terranometer and learns of this future. Somehow there is a mute girl named Eleanor who is tied to this. Jeff Parker adds a lot of suspense to the story by having the two fighting to escape S.H.I.E.L.D. The book ends with a bit of a cliffhanger, with Jennifer Banner–the original She-Hulk–seemingly getting involved with Echelon’s plan.
I liked Red She-Hulk a lot. Parker put together a really fast paced story, everything ties together and looks to be building to a huge pay off. Carlo Pagulayan’s art is stellar, but there were a few errors in the coloring/after effects that were left in, like notes to the colorists and what not. Normally that could bother someone, but the story and art are so strong that it makes you ignore them. This is good stuff and I want to read more.
This was the perfect book to pull from a dollar bin at a comic show (I might have even paid less for it, I don’t remember). Namora #1 is a single-issue story by Jeff Parker (who has had some experience writing the character during the Agents of ATLAS series) with art by Sara Pichelli before her Ultimate Spider-Man breakthrough.
Namora is Namor’s half-human cousin and a general nice person. The story begins with her rescuing some Russian sailors from a kraken, only to find out that the sea monster has a peaceful coexistence with a colony of lost Atlanteans. Unfortunately Namora realizes that everything is not what it seems as she has a conversation with her deceased daughter Namorita (who was killed back at the start of Civil War). Ultimately it’s up to the Atlantean princess to save her people from the sea monster.
The resulting issue is a lot of fun. It’s a complete story and everything is resolved by the end. It comes across kind of like a pitch, like Marvel was trying to gauge the interest on the character getting her own mini or ongoing series. I enjoyed it, as it was a different take on the Namor/world of Atlantis. So this gets a thumbs up. What also gets a thumbs up is the cool variant cover by legendary lady comic artist Ramona Friden!
I read through another of the Fear Itself collections, this time featuring the adventures of the crimson Avenger none other than the Red Hulk. This is the first I’ve picked up of this series since the reveal of his secret identity, so I was a bit fuzzy on some of the particulars.
The first half of the story has Rulk battling it out against the fear-powered Thing. While this is going on, writer Jeff Parker has the story cut back to M.O.D.O.K. and Zero/One (a villain to this point I wasn’t introduced to but a hybrid human/robot that blames Rulk for her current state) debating whether this would be the time to kill Rulk. Instead, they realize that the Serpent, his herald Skadi and her Nazi legions would most likely take over, if not destroy, the planet. And with them in power, that would put a damper on their own evil plans so M.O.D.O.K. decides to fight the good fight.
I love in comic book stories have the villains switching sides, partially for their own needs but for the greater good. Redemption scenes/stories always warm my heart. And maybe I’m being a little too altruistic, since M.O.D.O.K. tried to kill Rulk. These things happen…
Anyway, Rulk winds up resurfacing at his parents’ old farm in Vermont with his Life Model Decoy sidekick/confidante Annie. This trip down memory lane was interrupted by the alien killing machine Omegex who has a simple mission: ending Rulk’s life.
Good thing Rulk is a master strategist; he turns back into General Ross which is too much for Omegex to comprehend, effectively resolving Omegex’s mission because Rulk was gone.
Where Parker excelled in this second act was visiting Ross’ past. You see that loss of life is something he continually had to deal with, whether it being his father dying in front of him as a child, or his wife’s death. That explains why he’s been so obscenely protective of his daughter over the years. It also give reason for why he’s such a great soldier; he’s detached himself from most of his humanity. With this emotional rebirth, it’s interesting to see what direction they will take with the character.